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Passacaille 931
2000
PART I
1. Lumen ad revelationem gentium [3:39]
gregorian chant | Trigon-Project
Ave maris stella
2. Jean de CASTRO | organ, Wim Diepenhorst [3:41]
3. gregorian chant | Trigon-Project [5:04]
4. Jean de CASTRO | organ, Wim Diepenhorst [3:16]
5. Alexander UTENDAL. Mors tua, mors Christi [4:46]
motet a 6 — Capilla Flamenca
6. Adriaan WILLAERT. Ricercar primi toni [4:15]
organ, Wim Diepenhorst
7. Jean de CASTRO. Caro mea vere est cibus [5:40]
motet a 5 — Capilla Flamenca
PART II
Jean de CASTRO
8. Vita de la mia vita [2:57]
madrigal a 4 — More Maiorum
Hedvic Eriksson, soprano | Lieven Termont, baritone
Orlandus LASSUS
9. La cortesia [1:26]
Piffaro
Jean de CASTRO
10. Si le ciel [3:10]
chanson — Jan van Elsacker, tenor | More Maiorum
11. Qui dulci semper [2:41]
motet — Hedvic Eriksson, soprano | Kris Verhelst, harpsichord
12. Qui dulci semper [2:46]
Kris Verhelst, harpsichord | Piffaro
Orlandus LASSUS
13. Dessus le marché d'Arras [1:38]
chanson — More Maiorum
Jan van Elsacker, tenor | Patrizia Hardt, soprano
Jean de CASTRO
Anchor che col partire
14. 3-part arr. after Cipriano de RORE [2:24]
Hedvic Eriksson, soprano | More Maiorum
15. Kris Verhelst, harpsichord [2:26]
Giaches de WERT
16. Nunca mucho costo poco [1:09]
Piffaro
Jean de CASTRO
17. La Parque avait desjà [3:04]
chanson a 6 — More Maiorum
Patrizia Hardt, soprano | Jan van Elsacker, tenor
18. Stirpis Ioannes Flescorum [5:22]
motet a 5 — Capilla Flamenca | More Maiorum | Piffaro
Trigon-Project
Margot Kalse
Margot Kalse, Jos Somsen, Penny Turner,
Idiko Hajnal , Midori Suzuki , Ayumi Aoki,
Annelies Coene, Patrizia Hardt, Els Spanhove
Wim Diepenhorst — organ
Capilla Flamenca
Dirk Snellings
Hedvig Eriksson, Patrizia Hardt — soprano
Marnix De Cat , Stratton Bull — countertenor
Jan Van Elsacker, Christopher Kale — tenor
Lieven Termont, Jasper Schweppe — baritone
Paul Mertens, Dirk Snellings — bass
Piffaro
Joan Kimball & Robert Wiemken
Robert Wiemken — dulcian
Joan Kimball, Adam Gilbert, Rotem Gilbert — shawm
Tom Zajac — sackbut
More Maiorum
Peter Van Heyghen
Peter Van Heyghen — recorder
Anette Sichelschmidt — violins
Simen Van Mechelen — sackbut
Paulina Van Laarhoven — viols
Michèle Vandenbroucque — dulcian
Jan Van Outryve — lute
Kris Verhelst — harpsichord
solos:
Hedvig Eriksson, Patrizia Hardt
Jan Van Elsacker, Lieven Termont
Bart Demuyt
artistic director
This is the definitive recording, in some sense, of music by Jean de Castro (c.1540-c.1600), released in conjunction with a ground-breaking complete edition of his work. Part of the idea is to provide perspective on his work by including related music from other sources. [Unattributed items are by de Castro]. Castro was of the last generation of great Renaissance polyphonists, and has a career outline closely resembling Lassus. He was probably the second most prominent polyphonist from the Low Countries, former headquarters of European polyphonic development, after Lassus. Later, political problems forced him to leave and take up posts in France and then Germany.Among his large and varied output, his most stimulating work includes 3-part arrangements of works for larger forces by other composers of the era.
This enhanced CD has audio and video elements.
Video tracks will only play on a PC.
Recording date: February, 2000 (Leuven) Passacaille 931
capilla.be
This is the definitive recording, in some sense, of music by Jean de Castro (c.1540-c.1600), released in conjunction with a ground-breaking complete edition of his work. Part of the idea is to provide perspective on his work by including related music from other sources. Unattributed items are by de Castro.
Castro was of the last generation of great Renaissance polyphonists, and has a career outline closely resembling Lassus'. He was probably the second most prominent polyphonist from the Low Countries, former headquarters of European polyphonic development, after Lassus. Later, political problems forced him to leave and take up posts in France and then Germany.
Among his large and varied output, his most stimulating work includes 3-part arrangements of works for larger forces by other composers of the era.
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